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With that in mind, we tried not to be too pedantic about what could earn a spot on the list. It's also a visceral, primal fear, but unlike the zombies and slashers that prowl through other horror hits, there's something fundamentally unknowable about ghost stories a mysterious freedom that allows filmmakers to bend the rules without breaking the suspension of disbelief and discover countless ways to conjure up fear from the specters of the dead.

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Gothic romance, quirky comedies, and of course, tales of terror populate the genre, which offers a big, free realm for filmmakers to play in.

Perhaps it's because the haunted house genre contains magnitudes. Where slashers and creature features come and go from cinematic trends, tales of ghostly apparitions and supernatural spooks never seem to go out of style.

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OmniFile Full Text Select (H.W.Floorboards creak, doors slam shut, and spooky spirits go bump in the night the haunted house movie is a staple of the horror genre, and for good reason - paranormal thrills never go out of style.

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Norwegian Register for Scientific Journals, Series and Publishers.

MLAIB: Modern Language Association International Bibliography.

IBZ: International Bibliography of Periodical Literature on the Humanities and Social Sciences.

IBR: International Bibliography of Book Reviews of Scholarly Literature on the Humanities and Social Sciences.

European Reference Index for the Humanities (ERIH PLUS).

CNKI (China National Knowledge Infrastructure).

Annual Bibliography of English Language and Literature (ABELL).

Gothic Studies is abstracted and indexed in the following: Sue Zlosnik, Manchester Metropolitan University, UK John Whatley, Simon Fraser University, CanadaĪngela Wright, University of Sheffield, UKĪnne Williams, University of Georgia, USA Victor Sage, University of East Anglia, UKĪndrew Smith, University of Sheffield, UKĬatherine Spooner, Lancaster University, UK Sorcha Ní Fhlainn, Manchester Metropolitan University, UK Marie Mulvey-Roberts, University of the West of England, UK Gilles Menegaldo, Université de Poitiers, France Karen Macfarlane, Mount Saint Vincent University, Canada Timothy Jones, University of Stirling, UK William Hughes, University of Macau, China Jerrold Hogle, University of Arizona, USA Jason Haslam, Dalhousie University, Canada Monica Germanà, University of Westminster, UK

Justin Edwards, University of Stirling, UKīenjamin Fisher, University of Mississippi, USA d’Annunzio’ di Chieti-Pescara, ItalyĬharles Crow, Bowling Green State University, USAĬarol Margaret Davison, University of Windsor, Canada Steven Bruhm, University of Western Ontario, Canada Linnie Blake, Manchester Metropolitan University, UK Katarzyna Ancuta, Chulalongkorn University, Thailand Maisha Wester, Department of American Studies, 602 Ballantine Hall, Indiana University, Blommington, IN, 47405, USAĮnrique Ajuria Ibarra, Universidad de las Américas Puebla, Mexico Olivia Ferguson, Institute for Advanced Studies in the Humanities, University of Edinburgh, UKįran Thielman, Texas A&M University, USAĭr Sorcha Ní Fhlainn, Department of English, Manchester Metropolitan University, Manchester, M1 5NH In particular, it points to the fraught politics of loss and repossession in relation to the Highlands’ history of depopulation and modernisation, casting a fresh light on the historical events that have given shape to Scottish haunted space.Įmily Alder, Edinburgh Napier University, UK Against the frequently broad scope of academic literature on spectrality, this article draws attention to the crucial significance of contextual nuances and specific historical and social circumstances. Amid the upheaval of industrialisation and the Highland Clearances, and in a period when Scots were still wrestling with the implications of the 1707 Union, authors recorded stories of wandering ghosts as part of a broader movement to fashion a distinctive identity rooted in a specific cultural context. While earlier ghost stories were usually about the haunting of people, the rise of Gothic and Romantic literary aesthetics fuelled a new interest in both the Scottish landscape, and the dramatic potential of lurking spectres. This article explores the popularisation of the concept of haunted space in late eighteenth- and nineteenth-century Scotland.